Naan Kadavul
[this review contains no spoilers]
I just saw this film, நான் கடவுள் (naan kadavul) or “I am God”. Compared with spiritual classics (mostly old black and white films), I’d rank this as just above average, but given that spiritual/independent films are so rare to come by, I’m believe it deserves a lot more. Compared with the tons of shallow run-of-the-mill Bollywood/Tamil films it has to contend with, I’d rank it five star. Also notable, and commendable, is that this film had *no* Bollywood hero/heroine dance scenes. Rent it (should be having in English subtitled, as the film received national recognition).
Summary: This film is about a person, named Rudra, abandoned as a child along the banks of the Ganga, who is found and adopted by Aghoris. He grows up into an Aghori, and is sent out into the world by his guru so that he may severe any last residual bondage to the material world. He follows his guru’s orders like a true Aghori.
Aghora
Most people follow the right-hand path for approaching God. That is, worship of (connecting with) God through some form of puja: prayer, bhaki poetry, bhajans, offering of flowers and fruits, temples, and beautifully decorated stories and imagery centered around God.
Aghori’s are yogis who have taken the left-hand path of God. The left-hand path is an arduous path aimed at shattering one’s sense of material world. Usually one of the first steps involves severing all connection to the material world. For Rudra, this was not a first step, but the last in the chain of bonds he had to severe — as he never was in the material world in the first place, having been abandoned and directly inducted into the cult of Aghoris.
Aghoris are not interested in following (or even in trying to understand) any set philosophy nor any belief system. There philosophy is simple: to do whatever it takes, however insane it might seem (to oneself and to the bystander) to strip oneself of layer after layer of conditionings, until they reach the very core and essence of their true being – the Untainted, Pure, Absolute, Self. “Face-to-face” with Source of all things, through every atom in their body. It follows that it demands shutting out human constructs like right and wrong (nothing being intrinsically right or wrong).
This fast-track path often involves taking our most common vices and inhibitions, and facing them head-on. Engaging them, and transforming them into spiritual energy. This may involve taking to drugs, intoxication, sex (with corpses), cutting and eating human flesh, living and sleeping among corpses in cremation grounds. This can be very jarring and disturbing. Make no mistake, Aghoris are not perverts or drug addicts. They are like you and me. So if you find having sex with a corpse or eating human flesh absolutely revolting, you can imagine how much more horrifying it is to them. It’s not something they were inclined to do. Yet they go through it, as they are far more dedicated and sincere in their spiritual pursuit. A desire several times greater than most of us.
विद्याविनयसम्पन्ने ब्राह्मणे गवि हस्तिनि ।
शुनि चैव श्वपाके च पण्डिताः समदर्शिनः ।।The wise ones, sees the same in (or no difference between) a Brahmin endowed with knowledge, a cow, an elephant, a dog, and a dog-eater.
- Bhagavad Gita, 2.47
It is a path meant for a reserved few who are ready to give up everything. Very few survive the mental stamina it involves. Many fall astray into dark alleys, some even go insane. This is especially true for those who attempt this without a guru. For those with bhakti – the guru comes directly, as the God that the bhakta intensely connects/relates to. For those who don’t have the inclination or dedication for bhakti, but still have the desire, the guru comes in human form (not necessarily wearing saffron robes, could be your mom, dad, spouse, teacher; one can have successive gurus as one outgrows and evolves).
Rudra
Very good acting of the Aghori character. For an outsider Rudra might look like someone who is cold and having an other-worldly gaze (or for that matter someone who is stoned). Most Aghoris are described to look at that. I’m sure anyone put through the arduous path as they will have that appearance. As mentioned for an Aghori there is no “right or wrong”. Everything is part of the cosmic wheel, and he sees that, and does not interfere with any of it — unless he can act (karm – to act) with detachment. You’ll know what I mean when you see the movie. Don’t want to give it away here.
The Beggars
What I also like about this movie is that it succeeds very well in putting a human face on the crippled and handicapped who have been cast out by their families.
When most people see beggars with disfigured limbs/faces hobbling on the road side, they either turn their heads away (in disgust, or repulsed, just not being able to take the site of them) or feel some sort of empathy. This film shows that both of these are unwarranted (and wrong). In the film you find that their lives are as enriched (including with its share of humor) as anyone else — despite their living conditions and what we consider as their physical/mental disabilities.
They could use compassion, but not our pity. It is really those parents of such orphaned children who abandoned them without any empathy, the ones who really need to be pitied. The villains in the movie who make a business out of exploiting these beggars are a reflection of us. The beggars are sensitive and caring towards each other than those of the material world. So who is more evolved? Who is really handicapped? Who is more entangled in the material world – wasting way one’s entire life chasing after greed, lust, power (in the processing becoming desensitised to the “human touch”)?
நான் கடவுள் (naan kadavul) or “I am God”, is similar to the Sanskrit: अहं ब्रम्मास्मि (aham brahmaasmi – “I am God”), the mantra that Rudra utters every now and then in the film.